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A Camera Technician's Testing Tools

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Just as the cleaning tools featured in A Camera Technician's Cleaning Tools are an important step in the equipment grading process at KEH Camera, our technicians utilize a variety of testing tools to thoroughly check the working condition of every piece of equipment before it is made available for sale.  Below is a behind the scenes look at some of the testing tools used by our technicians to ensure that each item we sell will be in good working order once it reaches our customers.

 
What: Filter Ring Tool
Use: Repairs Slightly Bent Front Lens Rings

What: Spanner Wrench & Adjustable Spanners
Use: Remove Retaining Rings on Lens Boards

What: Light Box 
Use: Creates Grey Scale for Checking Digital Sensor Imperfections

What: Unique Soft Edge Sensor Cleaning Swabs, D-SLR Brush, 7X Visible Dust® Sensor Loupe & Digital Sensor Cleaning Fluid
Use: Cleans Digital SLR Sensors

What: LensAlign® MkII
Use: Tests Back Focusing & Calibrates Focus of Lenses

What: Minolta Collimator RC 1000 III Machine
Use: Tests Focus & Infinity

What: ZTS Tester V & Light Standard
Use: Checks Shutter Speeds of Leaf & Focal Plane Cameras

What: Kyoritsu Tester
Use: Checks Shutter Speeds for Specific Tolerances on Hasselblad Equipment

- Omar Hosein

Get Paid to Recycle Your Camera

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As today is Earth Day, it's the perfect opportunity to recycle your old camera equipment.  Instead of your camera collecting dust in your closet or basement, consider selling or trading in your old gear.  Not only is it a great option for the environment, but you can make some extra cash too.            


For 34 years, KEH Camera has been dedicated to reselling, reusing and recycling photographic equipment, and we are here to help you with environmentally friendly options regarding your used camera gear.  Get paid to recycle by selling or trading in your used film or digital bodies, lenses, flashes and accessories.

We are not always able to make an offer to purchase certain older or broken items.  However, we will be happy to help you recycle your used photographic gear in an environmentally friendly manner if you would like to donate them to KEH.  We are able to recycle and repurpose countless photographic items.

The process is easy and free.  All you have to do is contact our purchasing department via email or by telephone at (770) 333-4220 or (800) 342-5534.  We always pay top market value for clean, used gear, and shipping is free.
 
Whether you decide to sell, trade or donate your used camera equipment, you'll feel good about saving time, money and helping the environment.  

Photos of the Month

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All images submitted to and chosen from the KEH Camera Flickr Group pool.  To view a photographer's profile, click on the image to be directed to their Flickr page.

Thank you to our Flickr members for the wonderful submissions.  Please join our group, and your photograph might be featured in next month's post!

Sunflower
Sunflower, by Ben Davis

spring light
Spring Light, by Tammy Lee Bradley

Beauty Before Light
Beauty Before Light, by John Cothron
texture
Texture, by Eastview Photography
Untitled
Untitled, by Ygalyk
happy
Happy, by Swedish Fury
Hinge - dobradiça
Hinge, by Enio Godoy
Wild Red Tail Hawk Portrait
Wild Red Tail Hawk Portrait, by Kristofer Rowe

022713A-25
Clouds Over the Marin Headlands, by David W. Sumner
Blue eyes
Blue Eyes, by M. Patrick Kavanaugh

Free Shipping is Back!

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Free shipping is BACK for a limited time!  This weekend only, enjoy FREE shipping on all orders of NEW and USED gear over $100.00.   Start the season off right by stocking up on all the camera gear you'll need for Spring!


To qualify for free shipping, place an order of $100.00 or more of NEW or USED equipment online or by phone between Friday, April 26 and Sunday, April 28 (promotion ends at 11:59 p.m. Eastern time), and receive FREE shipping via FedEx Ground anywhere in the contiguous United States.  Qualifying international and expedited shipping orders will receive a credit of $9.95 towards shipping costs. Promotion is not applicable to prior purchases or existing orders.

Shop now by visiting us on online at www.keh.com, or by contacting our sales department via telephone at (770) 333-4200.   Our friendly and knowledgeable sales representatives will be happy to help you with all of your camera equipment needs Monday through Friday from 8:30 a.m - 9:00 p.m., and Saturday from 10:00 a.m. - 4:00 p.m. Eastern time.

T-Max Semi Stand Development Process

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In this article I will explain a technique for using T-Max developer in a high-dilution solution to extend development times and provide a generally foolproof development strategy, not only for T-Max film, but also other film.

All of the images for this article were scanned on a Screen Cézanne flatbed scanner and edited as needed in Photoshop CS5.  Please refer to the image caption for specific technical details regarding the equipment and development process used for each photograph.

Example 1: Nikon F4, 55mm f/2.8 Micro AF Lens, T-Max 100 35mm film rated at ISO 50, T-Max RS developer at 1:19 dilution, semi-stand development.
Kodak's T-Max film and corresponding T-Max developer (or T-Max RS for sheet films) is a combination formulated specifically for high resolution, low grain photos. Despite having a relatively straightforward development routine, T-Max film and developer can be a frustrating combo without rigorous testing and strict adherence to time and temperature controls.

Example 2: Nikon F2, 20mm f/2.8 AF-D Lens, T-Max 100 35mm film rated at ISO 50, T-Max RS developer at 1:32 dilution, semi-stand development.
Kodak's recommended dilution for T-Max developers is 1:4, or 1:9 for longer development times. What I have experimented with is using dilutions of 1:19 up to 1:50 with "semi-stand" development. With semi-stand development, I would add the diluted developer to the tank and agitate for 30 seconds, and then leave the tank alone for 30 minutes. At that time I would do another 30 seconds of agitation and leave the tank for another 30 minutes (total of 1 hour). Finally, I would fix and wash as normal. This hands-off development procedure is very simple, and generally the temperature of the solution is not critical (it was generally between 65 and 70 degrees F).

Example 3: Nikon SP, 50mm f/1.4 Lens, T-Max 100 35mm film rated at ISO 50, T-Max developer at 1:32 dilution, semi-stand development.
Using the developer in this way was also conducive to one-shot development.  I diluted the developer to the proper dilution and used it once, and then threw out the chemicals. Due to the high dilution, a 1-liter stock solution should last you for many, many rolls of film (probably around 100 35mm rolls of film).

Example 4: Mamiya 645 PRO, 80mm f/1.9 Lens, Tri-X 400 120 film rated at ISO 200, T-Max developer at 1:32 dilution, semi-stand development.
My findings concluded that, generally speaking, every film should be shot at about half the recommended ISO or ASA. For T-Max 100, I shoot it at 50. For Tri-X 400, I use ISO 200. The dilution of the developer determined contrast, similar to what one would do with time and agitation, a la the Zone System (refer to Ansel Adams' seminal book The Negative for more information).

Example 5: Mamiya 645 Pro, 45mm f/2.8 Lens, Tech-Pan 120 film rated at ISO 25, T-Max RS developer at 1:40 dilution, semi-stand development.
For N development (normal contrast, what most shots need), a dilution of 1:32 worked well. For increased contrast (N+), the 1:19 dilution was best. And finally, for less contrast (N-), 1:39 became my standard. A 1:50 dilution was generally too much, but for scenes with a lot of contrast, it might be appropriate. These dilutions worked the same whether using T-Max developer or the RS version.

Example 6: Chamonix 4x5, Schneider G-Claron 150mm f/9 Lens, T-Max 100 film rated at 100, T-Max RS developer at 1:39 dilution, semi-stand development.
As with any development recipe, you should definitely test and determine your own EI (exposure index). You may find that slightly different dilutions give you better results. These results reflect what worked best for me. I am continuing to experiment with this technique with different films and situations, so it is an ongoing "development."

I hope that this development recipe gives you another tool to use with your film photos.

Contributor Bio:
Bryan Garris is a musician, recording engineer and photographer in Valdosta, GA. He enjoys shooting film in all formats, from 35mm to 8x10, and teaches photography classes in the area. To see more of his film work highlighting the South GA area, visit his blog at valdostafilm.blogspot.com.

Blog and Social Media Vacation

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The KEH Camera Blog and Social Media Department will be on a mini "vacation" between Wednesday, May 1 and Wednesday, May 8.  Our blog and social media activity will resume on Thursday, May 9.


For immediate sales/customer service inquiries, please contact the KEH Camera Sales Department at (770) 333-4200.  Sales Department hours are Monday - Friday from 8:30 a.m. - 7:00 p.m., and Saturday from 10:00 a.m. - 4:00 p.m. Eastern time.

We look forward to returning next week!

Free Shipping + Reduced Prices

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Now through Sunday, enjoy FREE shipping on your order of NEW or USED equipment of $100.00 or more.  We are also in the process of reducing prices on thousands of digital items.  This is a great opportunity to save big on all your favorite digital bodies, lenses and accessories!


To qualify for free shipping, place an order of $100.00 or more of NEW or USED equipment online or by phone between Friday, May 10 and Sunday, May 12 (promotion ends at 11:59 p.m. Eastern time), and receive FREE shipping via FedEx Ground anywhere in the contiguous United States.  Qualifying international and expedited shipping orders will receive a credit of $9.95 towards shipping costs. Promotion is not applicable to prior purchases or existing orders.

Shop now by visiting us on online at www.keh.com, or by contacting our sales department via telephone at (770) 333-4200.  Our friendly and knowledgeable sales representatives are available to assist you Monday through Friday from 8:30 a.m - 9:00 p.m., and Saturday from 10:00 a.m. - 4:00 p.m. Eastern time.

Colorful Cameras For Spring

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Featured Items of the Month

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Zeiss Ikon Contarex Bullseye

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The first Contarex, also know as the "Bullseye" or "Cyclops", is a 35mm SLR camera that debuted in 1958.  It was widely available to consumers between 1959-1960, and was produced until 1966.  The "Bullseye" name is derived from the distinctive selenium cell light meter located on the front of the camera.   The Contarex was manufactured by Zeiss Ikon to compete with the Leica rangefinders that dominated the professional 35mm camera industry at the time.


Zeiss Ikon was known for producing top quality cameras, and the Contarex Bullseye was no exception.  It features a rugged construction, and weighs approximately 2.6 lbs.  It is also mechanically complex with over 1,100 parts.  The Contarex it is a well built camera with impeccable attention to detail, and is a desirable piece for collectors.    

Click HERE to view the Contarex Bullseye on the KEH Camera Outlet on eBay.

Burke & James Orbit 4x5 Monorail

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Burke & James Inc. was a Chicago, IL based camera dealer and manufacturer that operated between 1897-1981.  Burke & James specialized in view cameras, portrait cameras, fingerprint cameras, lenses and darkroom sinks.  The Orbit 4x5 Monorail is a type of large format view camera produced by Burke & James.   


The 1963 Burke & James Photographic Equipment and Instrumentation catalog available HERE (courtesy of Bonus Manuals) has a great vintage advertisement for the Orbit Monorail Camera.  The Orbit boasts features such as a construction of all metal with an "improved design" and corrosion resistance "for use in any climate", plus the eye catching red bellows make the camera an interesting part of photography history.          

Click HERE to view the Burke & James Orbit 4x5 monorail camera on the KEH Camera Outlet on eBay.

Photos of the Month

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All images submitted to and chosen from the KEH Camera Flickr Group pool.  To view a photographer's profile, click on the image to be directed to their Flickr page.

Thank you to our Flickr members for the wonderful submissions.  Please join our group, and your photograph might be featured in next month's post!

Coming to our senses.jpg
Coming to Our Senses, by George Bowron
Spring Raindrops
Spring Raindrops, by Herb G.
last summer harvest
Last Summer Harvest, by Vigdis Lokken
April
April, by David O.
First Slice of Light
First Slice of Light, by John Cothron
sweet background
Sweet Background, by Xazzz
Untitled
Katrin, by Ygalyk
James' senior session
James' Senior Session, by Mike Kemp
a wish...in black and white...
A Wish in Black and White, by Ali Deck
Spiral
Spiral, by Bill McCarroll

Alpa Reflex 6C

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The Alpa Reflex is a 35mm SLR camera that was produced by the Swiss company Pignons SA.  Originally a manufacturer of mechanical parts for clocks and watches, Pignons SA eventually moved into the photographic industry producing high quality, hand crafted cameras.  The goal of the Alpa Reflex was to combine the advantages of reflex viewing and a rangefinder into one well built camera.  The first Alpa Reflex debuted in 1944, and the 6C model was made from 1960-1969.  The 6C was a third generation Alpa SLR, and had the third largest production of the Alpa Reflex models.   


Like all Alpa Reflex models, the 6C has a solid construction, and the light metal design allows for a lighter weight.  The Alpa Reflex 6C features a built in prism that offers TTL framing, focusing and depth of field control.  The body of the Alpa Reflex 6C would have also been protected with a plastic material that would have made it "impervious to sweat, cold, heat and other climatic influences" according to the user manual (courtesy of Camera Manuals).  A nice vintage collectible for the camera lover!   

Click HERE to view the Alpa Reflex 6C on the KEH Camera Outlet on eBay.

Revere Stereo 33

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The Revere Stereo 33 is a 35mm stereo rangefinder camera that was introduced in 1953.  It was manufactured in Chicago, IL by the Revere Camera Company.  In the 1950's, they were the second largest manufacturer of movie cameras behind Bell & Howell.  Although primarily known for producing cine equipment, the Revere Camera Company made a handful of still cameras as well. 

 
Stereo cameras are unique because they feature two lenses that expose two frames at the same time.  This process simulates human binocular vision, and creates a 3D image (a stereo viewer would be needed to view the 3D effect).  The Revere Stereo 33 camera features manual exposure settings and adjustable focus lenses.  It also has the ability to accept a flash and filters.  The Revere Stereo 33 is a sturdy camera made of aluminum, and would be a great addition to a vintage camera collection.  

Click HERE to view the Revere Stereo 33 on the KEH Camera Outlet on eBay.

New Extended Purchasing Hours!

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With the popularity of our extended Sales Department hours, we are pleased to announce that we are now offering new extended Purchasing Department hours as well.

Our Purchasing Department may be reached by telephone at (770) 333-4220 or (800) 342-5534 Monday through Friday from 8:30 a.m to 9:00 p.m. Eastern time (6:00 p.m. Pacific Time).  That's an extra 3 hours each weekday!

 
Our extended hours allow us to serve both our East and West Coast customers, as well as our customers all over the world, in the most convenient manner possible.   

We are excited about this change, and look forward to serving both your sales and purchasing needs!  

Argus C3 Rangefinder

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The Argus C3 is a 35mm rangefinder camera that was made between 1939-1966.  It was mass produced by Argus in Ann Arbor, MI, and was one of the first affordable 35mm cameras in the United States.  As a result, the Argus C3 became one of the top selling cameras in the world, and helped popularize the 35mm format.   The Argus C3 is often referred to as the "Brick" due to the size, shape and weight of the camera.  It weighs approximately 24 oz., and measures 5.25''x2.75''x2'' in size. 

The body of the Argus C3 features rugged, molded leather grain and metal trim.  The Argus C3 is entirely manual, has a built in rangefinder that is coupled to the lens and features two eyepieces on the back of the camera.  The right eyepiece is used for focusing the image, and the left eyepiece is used for framing the image.  The camera was originally sold with a leather eveready case with an attached shoulder strap.  The availability, simplicity and durability of the Argus C3 allowed for a long production run of the camera.  It also makes the Argus C3 a nostalgic favorite with collectors today.     

Click HERE to view the Argus C3 on the KEH Camera Outlet on eBay.

Vintage Camera Finds

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With the click of a shutter, a photographer is able to capture a fleeting moment and hold it forever.  It's no wonder that photography is so deeply connected to nostalgia.  For many people, that nostalgic feeling embraces the love of vintage camera equipment as well.  Whether it's the look of vintage gear, the sturdy metal construction of the equipment, or simply the challenge of using a camera from days gone by, vintage photographic items enjoy a strong popularity today.  Below are a few cameras and accessories that make for interesting vintage finds.     


The Crown Graphic is a 4x5 folding camera that was produced between 1958-1973.  It is almost identical to the Speed Graphic, but lacks the focal plane shutter.  As a result, the Crown Graphic weighs approximately 1 lb less than the Speed Graphic, which is more ideal for hand held use.  It weighs roughly 4.8 lbs with the included Optar 135mm f4.7 lens.  This particular camera has inoperable shutter speeds, so this vintage beauty would make a great repair project or nice decorative piece.


Straps are definitely a recommended accessory that can help save a camera from a fatal fall.  The nice thing about camera straps is not only are they functional, but they can be stylish as well.  Vintage camera straps in particular have patterns and colors that are a lot of fun.  This style is known as a "hippie" type strap.  The strap is made of cloth and leather, and the clips are made of metal.  It is 2'' wide, adjustable and features a multicolor design.  It works with almost all film and digital camera bodies, so the nostalgic look can be enjoyed with both vintage and modern cameras.      


When collecting vintage equipment, sometimes locating the vintage accessories to accompany the camera can be difficult.  Vintage finds such as the Zeiss Ikon eveready cases are great for protecting your vintage camera, either while in storage or in use.  The cases are made of leather, and have a felt lined interior to prevent scratches.  The bottom part of the case may remain on the camera while in use, and the front flap can either be flipped open or completely detached depending on the preference of the shooter.  This particular lot includes not only the cases, but an array of manuals, film holders and other vintage accessories.  It may just include that missing accessory that you've been trying to locate for your vintage camera! 

      

The Polaroid SX-70 Land Camera was introduced in late 1972, and was sold nationally by 1973.  It was quite an innovative camera for the time, as it was the first that allowed the shooter to simply focus, press a button and instantly have a photograph that developed in daylight.  The Polaroid SX-70 also has a nifty collapsible body, and a battery that is built into the film pack.  Although Polaroid discontinued production of the film in 2006,  The Impossible Project now makes film for many vintage Polaroid cameras like the SX-70.  This lot of Polaroid SX-70 Land Cameras is a great find for vintage collectors. 


Another neat vintage find is the Kodak Film camera strap.  Not only does it have the same functionality as other vintage straps, it has three elastic slots on the underside to store rolls of film.  It is 2'' wide, and adjustable.  The strap is made of cloth, and it has leather connectors and metal clips.  It features the vintage Kodak film logo, and the eye-catching yellow would add character to any camera.  

Polaroid Automatic 104 Land Camera

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The Polaroid Automatic 104 is part of a group of Polaroid cameras from the 100-400 line.  It was produced from 1965-1967, and was one of the earlier consumer models of folding packfilm Land Cameras from the 100-400 series.  It was given the nickname "Electric Eye" because of the external lightmeter beside the lens.  The Polaroid Automatic 104 has a two element plastic lens, as well as a plastic body and shutter housing.  The plastic construction allows for a much lighter camera than some of the older Polaroid models.  It was also Polaroid's goal to offer a more simplified model camera so it could be affordable for every household.       


The camera features a folding bellows and auto exposure.  The camera does not have a typical rangefinder viewfinder with a double image.  Instead of being a true rangefinder, this particular model has a simplified "image sizer" that is used as a focusing aid for portrait shots.  There are two horizontal lines in the viewfinder, and one remains stationary while the other shifts up and down as the camera is focused.  This allows the shooter to adjust the focus so the subject's head fits between the two lines, thus resulting in a properly composed image.  The Polaroid Automatic 104 uses a 532 3V battery, and 100 series packfilm (FujiFilm's FP-100C is readily available today).  Another neat vintage find!       

Click HERE to view the Polaroid Automatic 104 Land Camera on the KEH Camera Outlet on eBay.

Polaroid 800 Land Camera

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The Polaroid 800 Land Camera, or simply "The 800" as it is sometimes called, is an instant film camera produced by Polaroid from 1957-1962.  It is very similar to the Polaroid 150 in that it has a coupled rangefinder, parallax correction and a hot shoe.  The 800 also features a carefully selected, high precision 130mm f8.8 three element glass lens, an electronically tested shutter and permanently lubricated roller bearings.  The camera also has a polished steel body with a light tan textured coating, and bellows that collapse for compact storage when not in use.     


The Polaroid 800 has both a viewfinder window, and a rangefinder window on the back of the camera.  The shooter must look through the rangefinder window to focus the camera, and then through the viewfinder window to compose the image.  Unlike many Polaroid cameras that utilized pack film, the 800 model used instant roll film.  Roll film came in two rolls with a positive and negative, and was exposed inside the camera.  This was different from pack film that develops outside the camera.  Unfortunately instant roll film is no longer made for this type of camera.  However, this great vintage find would make a handsome decorative piece, or be perfect for those looking for a conversion project.        

Click HERE to view the Polaroid 800 Land Camera on the KEH Camera Outlet on eBay.

Handmade Gifts for Photographers

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If you're looking for the perfect gift for a friend or loved one, Etsy is a treasure trove of creative products.  We've selected a few handmade and unique camera inspired items that would make perfect gifts for a photographer or photo enthusiast.  Don't forget to treat yourself to a fun gift as well!

"I'll Shoot" Aluminum Camera Ring, by Spiffing Jewelry

"I Came. I Saw. I Shot." Camera Keychain, by Risky Beads

Vintage Nikon F Camera Printed Pillow, by In The Seam

Vintage Camera Sticker Set, by Azreen Chan

Camera Custom Address Labels, by Posh Girl Boutique

Mini Clay Camera Charm Pendants, by The Clay Loft

Camera With Leather Strap Bamboo Clock, by Decoy Lab

"Capture Life" Personalized Camera Necklace, by Jewel Mango

Set of 4 Polaroid Camera Art Prints, by Hey Harriet

Personalized Wooden Toy Camera, by Little Sapling Toys
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